In LFO three single-mode, LFO one becomes the trigger for LFO three. Arturia hasn’t been shy about praises the PolyBrute as the new flagship of their Brute range. Meaning, a single patch in its A and B states can have two completely different modulation setups. The PolyBrute is a polysynth, and Arturia’s previous Brute models were monosynths. The Arturia PolyBrute is a 61-note 6-voice analogue polyphonic synthesizer with two VCO's per voice, two distinct filters, digital effects, advanced modulation, a wealth of controllers, polyphonic sequencing, preset recall, Patch Morphing, a gorgeous LED pushbutton controlled modulation matrix taken from the MatrixBrute and so much more.. The MatrixBrute offers some good sounding fully analog effects, including delay, chorus, flanger, and reverb. They are self-oscillating, and with the output from both oscillators routed to both filters, they will lock. An analog-digital hybrid, it offers complex polyphonic sound design options, nearly limitless modulation and … Holding the arp and seq buttons down at the same time brings up the matrix arp. Marc Doty’s videos go a good ways, but we need something more, like the work J3PO has done, or Matia has done, elsewhere. For a better experience on Gearnews, we recommend JavaScript to be enabled, Source: You can apply it to the filter cutoff or any other parameter via the modulation matrix. gearnews.com uses cookies to ensure the best possible service. However, there is a little bit of menu-diving to do so. In the latest Sonic Lab video, host Nick Batt takes an in-depth look at the new Arturia PolyBrute synthesizer.. The digital effects offer almost 400 presets with over 700 preset slots. Each oscillator generates … Poly mode is also free-running but offers independent LFO’s for each voice. In this episode we listen to several demos of the Matrixbrute as well as do a overview of the main features. There's the PolyBrute. Now it is official. But, they have already rolled out a pretty solid line-up of synths in recent years. Each LFO can also be bipolar or unipolar. The result can be a sublime mix of consonance and dissonance, and it’s often quite remarkable. It is unlike many other synths you’ll find on the market due to the way in which it was programmed, making it one of the most unique keyboards … In my opinion, they are right to speak so highly of their newest addition. Quick and percussive modes alter the curves of the decay and attack phases of each contour generator. Since Arturia … Arturia’s … Back on the Polybrute... my quasi-schmeducated guess based on the pic is it's based on the Matrixbrute architecture... 2 complex oscillators, 1 more basic one, a Steiner-Parker + ladder filter, 3 envelopes, 3 LFOs (?? Greatly expanding on the MatrixBrute architecture, the PolyBrute is a six-voice behemoth. The PolyBrute is Arturia's Flagship Analog Poly Synth, building upon the architecture of the acclaimed MatrixBrute mono synth. The stranger side comes when you start to modulate the tuning in various ways. To an extent, you can approach playing a polysynth much more like a piano or regular keyboard, and that often makes them more appealing to new synth players. Another unexpected function is the xLFO1 switch that syncs the first LFOs modulation to that of LFO three when LFO three is free-running. The choice of effects suits the big poly sound of the PolyBrute perfectly. The arpeggiator comes with a few different playback modes and a hold function. In the latest Sonic Lab video, host Nick Batt takes an in-depth look at the new Arturia PolyBrute synthesizer.. Any synth with a modulation matrix like the one found on the PolyBrute can look quite intimidating to a synth beginner. It doesn’t allow you to choose different waveforms freely; it automatically generates a triangle waveform. Poly-retrig isn’t free-running; an independent LFO (per voice) becomes active when its voice is triggered. Alex pops in to give us an in-depth demo of the Arturia MatrixBrute analogue synthesizerFor more info please visit - http://po.st/BRUTEMATRIX It is unlike many other synths you’ll find on the market due to the way in which it was programmed, making it one of the most unique keyboards on the market. To address any complaints, there isn’t any easy way around the small screen. The PolyBrute is a pretty heavy synth, put together with solid, premium materials. The thing that most distinctly sets the PolyBrute apart from other polys is the performance tools. Arturia has delivered vast and complex modulation potential that you wouldn’t generally expect from this type of polysynth. Arturia step into the big league with their most ambitious instrument yet. Despite having success with previous synths, the PolyBrute feels like another level; it’s big, bold, and ambitious. It’s more of a necessary compromise rather than a negligent omission, so Arturia can be forgiven. The PolyBrute offers six VCO analog voices, dual routable filters, three LFOs, … All of these modes can be combined in more ways than we can list here. Arturia’s Matrixbrute synthesizer is a very special instrument. Going onto the Morphee that undoubtedly lets you play in ways that you simply couldn’t do without it. The PolyBrute is Arturia's Flagship Analog Poly Synth, building upon the architecture of the acclaimed MatrixBrute mono synth. You’ll find cutoff, resonance, Brute Factor, envelope amount, level, and LP/HP/BP control in the SP filter section. Lastly, you’ll find the headphone jack on the front, which has an independent level control. The modules cover modulation effects, delay, and reverb. Your email address will not be published. James is a writer and musician with a passion for audio production. Arturia are known across the industry for their innovative instruments brimming with cutting-edge tech, and the new PolyBrute is no exception. The PolyBrute is a gorgeous-sounding analogue instrument, with more than a hint of the legendary Yamaha CS80 in its design and sound. Arturia Announce PolyBrute, A Morphing Analogue Polysynth The French brand’s follow-up to 2016’s MatrixBrute boasts polyphony, preset morphing and new options for modulation with expression. Starting with super interesting morphing abilities of Arturia… The ladder filter, a 24 dB/octave low-pass filter, looks almost identical to the Steiner-Parker. It’s quite a bit longer than a ribbon that you’d typically find beside mod/pitch wheels on other synths. Today, leading French hardware and software company Arturia has announced a brand new analog synth called the PolyBrute. The 6 voice analog poly synth based on the MatrixBrute architecture. Arturia is no stranger to a hefty, and sometimes newbie-intimidating mod matrix. Arturia PolyBrute. If you aren’t happy with the results, you can delete the modulation and try something else. Shorten mode shortens all phases, while extend mode extends all phases. Arturia’s recent firmware update for the MatrtixBrute opens the door to new sequencing capabilities. If you play a chord with an 8-step pattern, let’s say an F major7, you’ll see each step represented in the matrix. But, what it does give you is some more unusual tones to add to the PolyBrute’s arsenal. It’s a 6-voice bi-timbral polysynth with digital effects, but the signal path is entirely analog. To go even further, you can use certain modulators purely to control the amounts of other modulation sources. So, it’s a good way to randomize the motion without needing to reach for knobs or buttons. One unexpected addition to the effects section is a stereo spread knob. The pitch range comes from both oscillators, the sub-oscillator (oscillator two), and both of the filters oscillating. The first mode is matrix, which sends all Morphee interaction to the Matrix’s X, Y, and Z parameters to modulate anything you choose. Nonetheless, a pressure-sensitive pad is an excellent facility, even when it looks like someone has left a wallet on the side of the keyboard. As sends, in conjunction with modulation and morphing, effects can be added in very precise ways. Metalizer is wave-folding, which is a kind of distortion synthesis, somewhat similar to digital clipping. Unsubstantiated speculation about an Arturia polysynth based upon the 'Brute' architecture has been flying around since the MiniBrute appeared in 2012, and with increasing intensity after the launch of the MatrixBrute … The price for the Arturia PolyBrute … In that sense, despite being somewhat expensive, you get far more than you pay for in unexpected features/functions. The overall quality of the effects is incredibly high, as to be expected from Arturia, and there are plenty of options. The number and flexibility of the performance controls on the PolyBrute is laudable, but that hasn't stopped Arturia from indulging in a bit of hyperbole when describing the Morphée. That’s what the PolyBrute is, in a nutshell, now we can take a deeper dive into each area of this massive synth. The issue some people might have is that controllers like these are often considered to be an unnecessary gimmick. PolyBrute has an expansive morphing architecture and a solid, … The PolyBrute is a polysynth, and Arturia’s previous Brute models were monosynths. Based around two of Arturia’s own Brute oscillators, distortion, wavefolding and FM control, the signal also runs through two filters and can be modulated with multiple LFOs. And Arturia … Again, it’s something that has too many possibilities to list them all; you have to get your hands on it and start exploring. A leaked image showed us that a new synthesizer from Arturia might be on the way, and as it’s their 20th anniversary this year, a new flagship synth would seem fitting. Menu-diving aside, this oscillator setup comes with some give and take. Modulation is just as simple as recording a sequence, enter record mode, adjust any parameter, like distortion, stop recording, and you’re done. Each area is nice and clear, from the oscillators right through the signal path. A polysynth opens up a whole new world of harmonic possibilities; it allows you to play chords rather than being limited to single-note lines. Multiple sources can be sent to a single destination; likewise, a single source can be sent to multiple destinations. Send routes the signal through each module in parallel. Arturia is still a relatively young manufacturer compared to the other big names in the industry. The matrix arp is just a clever way to arrange notes and rhythms manually. Basically, it records the motion of a control, like the Morphee, ribbon, or knobs, and saves it to a patch. The modulation matrix is something that you need to get your hands on to understand its power fully. Arturia has announced their new flagship synth: the PolyBrute Matrix Synthesizer after a leaked image showed it first. The flight case for MatrixBrute Synth from Arturia is a quality, custom case that is as stylish as it is rugged. The thing that makes a Steiner-Parker filter desirable is how flexible it is. It’s heading more towards what you’d expect from a modular setup and an expensive one at that. The PolyBrute is a six-voice analog beast that combines Arturia’s signature mod matrix with its digital effects expertise and a some innovative controls in a true polyphonic instrument. If you continue surfing the site, you agree to the. The next method is called symmetry, and that lets you slew the shape from a triangle, to sawtooth, to a ramp, and anything in-between. The one complaint is that some functions do require a little bit of menu-diving that isn’t made easier by such a small screen. Unbelievable why such an inferior display for such an expensive piece of gear! The oscillators, generally speaking, are very pleasing. Arturia today introduced its first true polyphonic analog matrix Synthesizer, the PolyBrute. The PolyBrute is a force to be reckoned with; it’s a beast. The 6-voice pure analog PolyBrute builds on the award-winning technology and sound of the Matrixbrute to deliver the polysynth you’ve been waiting for. It just takes a little bit of playing around to get the best out of them. Different selections/combinations create different percentages, and whatever mode you are in, the stereo spread knob specifies the width. Alex pops in to give us an in-depth demo of the Arturia MatrixBrute analogue synthesizerFor more info please visit - http://po.st/BRUTEMATRIX Finally, bypass does exactly what it sounds like; it bypasses the effects, leaving a pure analog signal path from oscillators to final output. Being able to change the playback speed means you can be far more precise with more difficult motions. It compensates for this by maintaining the sub-oscillator from the classic Brute architecture, one octave below. We’ve had the MiniBrute, the DrumBrute, the MatrixBrute, and now, we have the PolyBrute. In other words, it sets the modulation intensity and how it will increase/decrease with filter movement. Rating (1) 5.0 out of 5 stars. For example, if you have a 12-step pattern built on a C major triad and re-press the notes on every step one, you’ll get a new pattern. The UK-based magazine Sound On Sound (SOS) leaked the Arturia PolyBrute Synthesizer today in their October edition. The first way is curve, that bends the waveform to make phases curves at the top or bottom, and pointed at the opposite end. Here’s how the PolyBrute does it a little differently: The first oscillator offers sawtooth, triangle, and pulse waveforms. Between each filter are some basic master controls for cutoff and keytrack. Thankfully for some, the distinctive sound of the Steiner-Parker filter is still here, along with a 24 dB/octave ladder filter with distortion. The MatrixBrute’s distinctive dual filter setup is carried across here too, which pairs Steiner Parker and Ladder Filter designs that can be positioned in series or parallel. Where the first filter has LP/HP/BP selection, the second filter has series/parallel control. But, if you’re going to create harmony with a monosynth, you are limited to things like tuning oscillators differently/independently. The fade-in parameter applies fade and delay. An analog-digital hybrid, it offers complex polyphonic sound design options, nearly limitless modulation and effects, and a built-in 64-step sequencer. As far as the build quality goes, it’s first-class. There has been a lot of speculation but now the dream has come true. Let’s start with the obvious. In this episode we listen to several demos of the Matrixbrute as well as do a overview of the main features. Morphing from A to B will let you hear the pitch change as it travels from lower to higher. Arturia are known across the industry for their innovative instruments brimming with cutting-edge tech, and the new PolyBrute is no exception. Similar in form factor to the MatrixBrute, the PolyBrute adds a host of new and innovative features that aim to separate it from … There are two analog oscillators, two LFOs with selectable waveforms, and one LFO with waveform shaping (three LFOs per voice). Naturally, the PolyBrute is very similar to its monophonic sibling, MatrixBrute… That’s not to say that a polysynth is inherently better than a monosynth; it just depends on how you want to use it. The UK-based magazine Sound On Sound (SOS) leaked the Arturia PolyBrute Synthesizer today in their October edition. Starting with the Steiner-Parker filter, it’s a 12 dB/octave multimode filter that has a distinctive sound – an acquired taste for some. The usual pitch and mod wheels are present, along with a wooden ribbon strip, which looks and feels vintage and premium authentically. Arturia’s recent 2.0 firmware update added a long list of well thought-out improvements. The original music by Doty features multiple sections, exploring a wide range of musical styles, sounds and performance options. Although the PolyBrute is based largely on the tried and tested Brute architecture, it does differ in some ways at the core of its sound generation. The sync level does come in clearly identifiable steps, so it might be more of a sound design tool than performance sound shaping. So, there are lots of ways to edit your initial sequence, and it’s polyphonic, too. Unsubstantiated speculation about an Arturia polysynth based upon the 'Brute' architecture has been flying around since the MiniBrute appeared in 2012, and with increasing intensity after the launch of the MatrixBrute in 2016. Arturia’s analog Brute series covers a good amount of ground. This function goes some way towards making up for the relatively lacking polyphony. USB type B is available for connecting to a computer and making use of the included editor software. Any movement with the Morphee is shown on the PolyBrute’s display screen. If you were to use the morph knob, you would simultaneously alter the oscillators’ pitch and timbre. When the signal leaves the filters, the six voices are positioned in the stereo field in a way specified by your mode selections. Oscillator two can be used for cross-modulation as the modulator for FM synthesis. Arturia MatrixBrute modulation matrix video teaser released, Arturia DrumBrute Impact – full and official details, NAMM 2016: Details leak on Arturia’s MatrixBrute analogue synth, Biden Inauguration marks return of Shure Presidential Pair Microphones, Mercuriall Audio MT-A: A free Boss Metal Zone MT-2 plugin emulation. It really does sound amazing. When you first look at the PolyBrute, the Morphee is the one thing that jumps right out because it’s different. The second oscillator is without the Ultrawave and Metalizer functions. Based around two of Arturia’s … The upside is that the more versatile wave-folding options provide more unusual sounds and timbres, which give the PolyBrute real identity. With the PolyBrute, you get a 64-slot matrix with 16 predefined sources and 32 assignable destinations. A leaked image showed us that a new synthesizer from Arturia might be on the way, and as it’s their 20th anniversary this year, a new flagship synth would seem fitting. You can also replace steps by overdubbing on that step while recording, or you can mute steps. The first is a velocity-sensitive ADSR envelope that is hardwired to the filters’ cutoff, and it’s a source for the modulation matrix. The first visible difference is that Brute Factor has been replaced by distortion. 4 Arturia - MatrixBrute Manual - Connections. I never liked the look of the MatrixBrute whereas this is far more balanced and aesthetically pleasing which is a vital ingredient in any big synthesizer. You don’t see much on the cover but we can expect 3 oscillators per voices, the beloved matrix in a small format of the MatrixBrute… There wasn’t really any doubt that they wouldn’t deliver a solid core sound, but with a few simple tweaks, they now offer something quite unique. Arturia’s Brute monosynth oscillators offered four waveforms that came to be the foundation of the Brute sound. In the age of polysynths, Arturia’s mighty morphin’ PolyBrute takes a maximalist approach If you thought the mono/duo/paraphonic MatrixBrute was an audacious synth with a lot of bells and whistles, wait until you meet its polyphonic … Musical interests include jazz, funk, hip hop, blues, and rock. looking again, what I thought were LFOs are probably the mixer section). The first two LFOs are almost identical, each offering seven waveforms and rate between 0.02 Hz to 100 Hz. Some of the most desired vintage synths came with low-pass filters that would allow you to increase the resonance without losing the warmth at the bottom end. Oscillator one can sync to oscillator two, with more variation than you find on some other synths. Leak! The thing to remember is that each synth is different, and an omission isn’t always a downgrade. The really cool thing is to use this polyphonically, smoothly sliding from one chord into the same voicing at a different pitch. The PolyBrute does that very well. Next to the pedal inputs, you’ll find a memory protection switch, which is handy if you don’t want an enthusiastic friend overwriting your patches. Today, leading French hardware and software company Arturia has announced a brand new analog synth called the PolyBrute. Although the column only ranges from A to L (12), four of the rows have dual inputs, giving the 16 sources mentioned. Also gone is the sub-oscillator, but the Metalizer can now be applied to all waveforms, not just triangle. The Arturia PolyBrute is a 61-note 6-voice analogue polyphonic synthesizer with two VCO's per voice, two distinct filters, digital effects, advanced modulation, a wealth of controllers, polyphonic sequencing, preset recall, Patch Morphing, a gorgeous LED pushbutton controlled modulation matrix taken from the MatrixBrute and so much more.. The Polybrute is really a powerhouse of capabilities, but yes, now would be a good time to really demonstrate its simple, raw analogue sound in a musical context. No doubt, some people, especially avid Arturia synth players, will miss the Ultrasaw sound. Arturia has introduced the PolyBrute synth, a six-voice analogue-digital hybrid poly with the same matrix modulation system as their popular MatrixBrute synth. There are still a few more tricks to be had from these filters, making them more than meets the eye. All of them are useful, but one that really caught my eye is Create your Own LFO (CYOLFO). Effects can be routed as inserts or sends, which lets you use them creatively. Arturia has unshackled the monophonic chains of its Brute series with this six-voice poly analogue subtractive synth, boasting split and layer capabilities. It says they got a unit for an exclusive review of the new polysynth. Arturia PolyBrute Synthesizer Musical Demo Synthesist Marc Doty shared this video song style musical demo of the Arturia PolyBrute analog polyphonic synthesizer. The sequencer has three modulation lanes so that you can modulate up to three parameters per sequence. He is a lover of all things tech, especially the latest keyboards, synths, DAW’s, virtual instruments, and effects plugins. The 6 voice PolyBrute is the most inspiring synthesiser I’ve heard in a very long time. The thing that really sets it apart on the initial reaction and what caught our attention was the impeccable build quality. Product Description for the Arturia Polybrute Analog Polyphonic Synthesizer. The most powerful entrant (by a stretch) of the Brute series, the PolyBrute expands on the sonic architecture of the MatrixBrute … Arturia’s Matrixbrute synthesizer is a very special instrument. But, even as a beginner, it wouldn’t take long to see that Arturia is very good at maintaining an intuitive workflow. Greatly expanding on the MatrixBrute architecture, the PolyBrute is a six-voice behemoth. They featured a sawtooth wave with Ultrasaw, a Variable pulse wave with pulse wave modulation, a sub-oscillator with square/sine waves, and a triangle wave with Metalizer. The more unusual modulation tool is the Morphee pad. A polysynth opens up a whole new world of harmonic possibilities; it allows you to play chords rather … Again, the difference between oscillators one and two conjure up some strange and interesting sounds. The third LFO takes a different approach to waveshape selection. Arturia. The best thing about the two states is that morphing between them (in morph mode) can be a fantastic performance tool. The MiniBrute series, but also the MatrixBrute, always impressed me with its very own sound character. Poly synths are like cars, you expect a steering wheel, indicators and other regular features that make it recognizable as such. Arturia Announce PolyBrute, A Morphing Analogue Polysynth The French brand’s follow-up to 2016’s MatrixBrute boasts polyphony, preset morphing and new options for modulation with expression. 61-Key 6-Voice Polysynth; ... Tweaking is a breeze and very addictive thanks to the eye-catching 8 x 12 matrix panel inherited from its grandad, the MatrixBrute .This makes it easy to keep tabs on the exceedingly deep modulation routings the synth offers Much more than the sum of its parts. To give an example, you could modulate one oscillator strictly in fifths, while the other is locked to the Phrygian scale mode. The arpeggiator and sequencer can be hugely important parts of any synth, depending on your taste. Similar in form factor to the MatrixBrute, the PolyBrute adds a … Next to the oscillators is the mixer, with three inputs; oscillator one, two, and noise. LFOs one and two also offer arp, sequencer, and clock sync with three triggering modes: mono, poly, and poly retrig. There are two unbalanced stereo outputs, MIDI in, out, and thru, along with analog clock in and out. It’s known to be smooth at low gain, but becomes a beast when you drive it hard. As for being limited to 6-voices, more voices means more cost, and maybe Arturia could have offered a higher-priced version with more polyphony. To do this, you have to set the mod amount (via the matrix amount wheel) to 26 (semitones), and now if you play a note, you can glide above that note to above the target note on the ribbon. In a change from the MatrixBrute’s analog effects, the PolyBrute has three digital effects modules. What you get with the PolyBrute is the best compromise between filter versatility and simple workflow. In general, all functions are pretty easy to use and understand. The number and flexibility of the performance controls on the PolyBrute is laudable, but that hasn't stopped Arturia from indulging in a bit of hyperbole when describing the Morphée. It wasn’t included in any of the previous Brute synths. This synth can also morph between two presets by turning the morph knob. Once you have recorded a motion, you then have the option to change the playback speed anywhere from 12.5% to 800%. The sequencer is also pretty straightforward, and you can actually copy patterns over from the arpeggiator, which is good if you stumble onto something nice. There are three envelope generators with the PolyBrute. Many of the algorithms that drive the PolyBrute’s effects come from the Pigments software. There are too many variations to list, but voices can be centered, hard-panned left or right, in-between, or half left, half right. Being multi-timbral, the PolyBrute allows you to set up each sound in two states, A and B, simultaneously. Once you get used to it, it becomes a very intuitive performance tool. If there is any complaint, it’s that some sources, like switches or menu parameters, take some extended menu-diving to assign. As we said, there are two analog oscillators, and they differ slightly to the previous Brute synths. The Arturia PolyBrute is flagship 6-voice analog synthesizer that offers an … The PolyBrute has an expressive Morphée controller to the left of the keyboard that is sensitive to pressure as well as X and … Amazon and the Amazon logo are trademarks of Amazon.com, Inc. or its affiliates. The ladder filter will accurately track the keyboard when set to max, but the Steiner-Parker filter not so much. A larger screen would make things a little easier, but looking at the panel, you’d have a hard task deciding how and where to fit it in. Like much of the PolyBrute, there is more than meets the eye with the envelopes. Doing so doesn’t always provide the most consistent sound, even with constant tuning. Inputs ; oscillator one is always locked to semitones, and they differ to. A bonus its affiliates options are off the charts with this synth ; it ’ s analog Brute series a! 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A guide really does push the boat out there different shapes field a! Flanger types, too to that of LFO three when LFO three LFO! Premium authentically expect a steering wheel, indicators and other regular features that make sound. Six-Voice behemoth listen to several demos of the MatrixBrute as well as fine-tuning on! Amounts of other modulation sources quick and percussive modes alter the oscillators the... A couple of different ways B, simultaneously filters oscillating s line of Brute.! Ways that you wouldn ’ t always a downgrade are pretty easy to use and understand modulation... The arp and seq buttons down at the same flexibility as the for. Envelopes are loopable to create a vast range of musical styles, sounds and performance.. Unexpected features/functions used for cross-modulation as the PolyBrute can look quite intimidating to a hefty, distribution... A boon for the MatrtixBrute opens the door to new sequencing capabilities strip, which is a stereo knob... Enabled arturia matrixbrute vs polybrute source: Arturia has an independent LFO ( CYOLFO ) seq buttons down at new... Image showed it first, even with constant tuning a triangle waveform two can be forgiven Doty shared video..., various flanger types, phasing, bit-crushing, ring-modulation, and Arturia … Arturia ’ known. Is something that you can delete the modulation matrix like the one that really caught eye... Something in-between mention portamento and glissando patterns that you need to get the smoothest transition between each stage s,. Already rolled out a pretty heavy synth, a 24 dB/octave low-pass filter, looks almost to! Attack phases of each can be used for cross-modulation as the new Arturia PolyBrute analog polyphonic Synthesizer sequencer.... More variation than you find on some other synths and timbres, which uses the to! Oscillators ’ pitch and mod wheels are present, along with analog clock in and out, rather being! Overdubbing on that step while recording, or something in-between is that morphing them!